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After launching late in 2017 in the US and UK, gaming peripheral specialist Razer has brought its eponymous handset Down Under — the mobile ...

After launching late in 2017 in the US and UK, gaming peripheral specialist Razer has brought its eponymous handset Down Under — the mobile gaming-centric Razer Phone.

The handset touts a 5.7-inch display with an impressive 120Hz refresh rate – the first of its kind in the world – alongside stereo speakers that rock Dolby Atmos and THX-Certified audio tech. 

The unit is powered by a Snapdragon 835 processor and 8GB of RAM, the same combo that hit our shores last year in the OnePlus 5, which, itself, was delayed a few months after first launching in the UK and US. 

Although this isn’t the latest chipset from Qualcomm, the 835 was the brains behind the impressive HTC U11 and Nokia 8, and we’ll be getting our Razer Phones with the latest Android Oreo 8.1 out of the box.

Timing's key

Considering the brand’s heritage of producing gaming peripherals, the sleek and serious aesthetic of the Razer Phone fits right into the array of deadly-looking keyboards and mice the company’s known for.

The decision to launch the handset Down Under, even though it had already been available for eight months in other regions, could likely have something to do with the rise in popularity of mobile titles such as PUBG and Fortnite (the latter of which has been officially confirmed for Android in the near future)

You can get yourself the Razer Phone exclusively online from JB Hi-Fi for $1,099, but hurry as the stock is strictly limited.



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It can be tough to find the right broadband plan for your home because there are so many options. If the NBN rollout has finally brought fib...

It can be tough to find the right broadband plan for your home because there are so many options. If the NBN rollout has finally brought fibre broadband to your area, should you actually get it right away? Or should you opt for the Cable plan that could get you speeds of up to 100Mbps instead (provided you actually have the option to do so)? And what if you only have access to good-old ADSL? Whatever service you currently have, we reckon we can get you a great broadband deal.

It's important to note these recommendations do not take into consideration other factors which could make certain deals a better option for you. For instance, do you already have a Telstra mobile plan and home phone line? If so, combining them with a Telstra cable or ADSL connection on the same Telstra bill could save you money overall. We'll leave these decisions to you, though.

On this page, you'll find a list of our recommended broadband deals separated into three types of connection: ADSL, cable and NBN (aka fibre). We'll update this page regularly when offers change or new ones become available, so it’s worth coming back to this article when you're ready to sign up for a new plan. 

When applying for new broadband deals, make sure you're not already signed up to a contract you can't get out of – most broadband contracts are on 12 or 18 month terms, so it's important to contact your current provider before committing to anything else. 

Another thing worth noting is some services may not be available in your area. If a particular deal seems good to you, head over to the provider's website to find out if it's available at your address. 

Another notable recent development is that some providers have scrapped separate line rental charges, so others could also follow suit in the coming months. 

Now let's get to the best broadband deals of July 2018!

Best ADSL deals

ADSL customers have a number of great options on offer, ranging from a sensible amount of data to straight up unlimited downloads. Depending on the amount of data you're likely to use each month, you'll almost certainly be able to find a great broadband deal to suit your needs. 

$40-$50

Belong | 100GB | ADSL2+ | No contracts | $40 a month (+$60 setup fee) | Telstra network | For just $40 a month with no lock-in contracts, Belong is offering customers unlimited data with some conditions. First, you'll need an existing Telstra phone line, and secondly, there is a small $60 setup fee involved. If this deal is available in your area, it's certainly a good option to look into. Minimum cost for the first months: $100

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$50-$70

Optus | Unlimited | ADSL2+ | No contracts | $60 a month (+$200 setup fee) | Optus network | This deal, which is available exclusively online, offers unlimited data on the Optus network for $60 with a $200 setup fee. The deal includes a Wi-Fi modem. Minimum cost for the first month: $260

View this deal

$70+

iiNet | Unlimited | ADSL2+ | 24-month contract| $79 a month ($59.95 setup fee) | Telstra network | A terrific option for those who don't want to get stuck in contract, iiNet offers 'Liimiteless' downloads for only $79 a month (after a one-off $59.95 setup fee). It also includes 'pay as you go' calls and a Fetch Premium TV Bundle & 1 Channel Pack. Minimum cost of the first month: $1,919.76

View this deal

Best cable deals

If sturdiness and incredible speed is what you're after, cable is a good option for those who can get it. Offering speeds of up to a whopping 100Mbps, cable can be a suitable alternative to fibre connections, depending on your plan. Unlike ADSL, you don't need a phone line and your monthly quota is generally high. That said, you can experience decreased bandwidth during peak usage hours. 

$40-$60  

Optus | Unlimited | Cable | no lock-in contract| $60 a month (+$200 setup fee) | Though it comes with a hefty $200 upfront fee, it's hard to beat Optus' unlimited cable internet plan, which has no lock-in contract, for only $60 a month. This 60 Plan Cable M2M option also includes a free Wi-Fi modem. Minimum cost for the first month: $260.

View this deal

$60-$80

Optus | Unlimited | Cable| 24 month contract | $80 a month ($0 setup fee) | Just like the ADSL version of this plan, Optus' 80 Plan Cable gives you the security and service consistency of a large provider, and offers unlimited data for $80 a month on a 24 month contract. It also includes an advanced AC Wi-Fi modem and a Yes TV by Fetch Mighty set top box. Minimum total cost over 24 months: $1,920.

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Telstra | Unlimited | Cable| 24 month contract | $99 a month ($99 setup fee) | Slightly more expensive than Optus' unlimited cable offering, Telstra's equivalent also offers access to Telstra Air's free Wi-Fi network, as well as a Telstra TV set-top box with Foxtel Now on a 24-month contract. Ideal for those who can't get the Optus package in their area. Minimum total cost over 24 months: $2,475.

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Best fibre (NBN) deals

After years of waiting, many Australians are now finding that the NBN has finally reached their area. If you do have access to a fibre connection, you may want to consider one of the plans below. Each one offers unlimited data, with the price difference basically reflecting the speed you'll be getting.

$40-$60  

Optus | Unlimited | NBN | no lock-in contract| $60 a month (+$200 setup fee) | Afraid of NBN commitment? Optus' M2M 60 Plan is a good option for those who want unlimited data at an affordable price but don't want to sign any contracts. Max speed is 12mbps. A Wi-Fi modem is included. Minimum cost for the first month: $260

View this deal

$60-$80

Optus | Unlimited | NBN | no lock-in contract | $80 a month ($200 setup fee) | Much like the previous deal, only the extra $20 you'll be paying per month will raise your max speed to 25mbps and get you a Mighty Fetch TV thrown in for good measure. Minimum cost for the first month: $280

View this deal

$80+

iiNet |Unlimited | NBN | no lock-in contract | $99.99 a month ($59.95 setup fee) | Offering unlimited downloads at a potential speed of up to 100Mbps (but typically around the 87.2Mbps speed range) for just under $100 a month, it's hard to go past iiNet's 'Liimitless' NBN100 data plan. Comes with a Fetch TV set top box as an added bonus. Minimum cost for 24-months: $2,399.76

View this deal



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Photographers who use 500px to distribute their work are now adjusting to two big changes. First, the platform is removing the option to up...

Photographers who use 500px to distribute their work are now adjusting to two big changes. First, the platform is removing the option to upload or download photos with a Creative Commons license. On Saturday, it also shut down its stock photo platform 500px Marketplace, and replaced it with distribution partnerships with Visual China Group, which acquired 500px earlier this year, for users in China and Getty Images for the rest of the world.

The decision to close Marketplace was first announced at the end of May.

On its site, the company said that photographer’s royalty rates will stay the same and that the closure of Marketplace will “enable 500px to serve the needs of a broader cohort of visual media customers.” In its FAQ, however, 500px also admitted that “Marketplace hasn’t performed as well in the stock photography space as hoped. As a result, we had to choose between investing resources in building on and further promoting 500px Marketplace, or considering a distribution-only model for 500px, a revenue model that has been growing in recent years.”

Two weeks ago, 500px’s former vice president of strategic development, Aneta Filiciak, took the helms as chief executive officer for the platform, which claims 13 million members, with the goal of making changes to the platform to increase the revenue of its photographers. Founded in 2009, 500px and rival Flickr were originally positioned as alternatives to established photography distribution channels like Getty, but both platforms suffered as Instagram and Imgur lured away users. 500px’s acquisition by Visual China Group in February was reportedly a fire sale for $17 million. Also known as VCG, Visual China Group is one of the country’s largest stock photo distributors and also an investor in Getty Images.

A 500px spokesperson told The Verge that it decided to stop its Creative Commons program because of lack of activity, but said it may be re-added in the future depending on user response. The decision is a loss for many organizations, including non-profits, that rely on Creative Commons-licensed images for their sites. Critics include 500px co-founder Evgeny Tchebotarev, who left company in 2016. He said on Twitter that “Creative Commons is critical to the growth and support of the open web,” adding in another tweet that 500px’s “decisions of the last few years perplex me greatly.”

500px said in its FAQ that it does not plan to offer another public copyright licensing option, but that photographers can chose to upload their work with a royalty-free 500px license for distribution through Getty or VCG. The company also said it is not providing a migration path for existing contributors who submit Creative Commons images, which left some web historians and Internet archivists scrambling. For example, Jason Scott, who works with Internet Archive, tweeted that “dozens of volunteers” spend the weekend using the Wayback Machine to back up photos.

TechCrunch has contacted 500px for additional comment.



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We've heard the rumor that the Galaxy Note 9 's new S Pen could very well be its standout feature , but we didn't yet have any (...

We've heard the rumor that the Galaxy Note 9's new S Pen could very well be its standout feature, but we didn't yet have any (realistic) ideas of just what that might entail — until now. 

According to prolific leaker IceUniverse , the new S Pen is set to receive a Bluetooth upgrade, allowing it to do much more than just write on the Galaxy Note 9's screen.

It's believed the S Pen's new Bluetooth functionality will enable it to control your music (we imagine the stylus' button will be used to pause and skip tracks) and be used as a long-range self-timer, which would be especially handy for taking group photos from a distance. 

Along with the S Pen's reported Bluetooth functionality, the Galaxy Note 9 is also rumored to include a massive 4,000mAh battery and some truly powerful specs, as well as what appears to be a very a similar design to last year's Galaxy Note 8

We'll know more in the coming weeks, as the Galaxy Note 9's launch date has now been confirmed for August 9, 2018.



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Tesla appears to have produced nearly 5,000 Model 3 electric vehicles in the last week of June, coming within hours of hitting a target CEO ...

Tesla appears to have produced nearly 5,000 Model 3 electric vehicles in the last week of June, coming within hours of hitting a target CEO Elon Musk initially planned to meet by the end of 2017.

The 5,000th Model 3 came off the assembly line early Sunday morning, according to Reuters, which spoke with two workers. Social media posts from workers validated the report. Musk tweeted Sunday that Tesla had produced 7,000 cars in seven days. The tweet didn’t specify if this was a combination of Model S, Model X, and Model 3 vehicles.

Tesla has been targeting a 5,000-Model 3s-per-week goal for months without success. In a May 2017 letter to shareholders, Tesla said preparations at its production facilities were on track to support the ramp of Model 3 production to 5,000 vehicles per week at some point in 2017.

But the company has failed to meet any of its production and delivery targets for the Model 3 since its splashy event in July 2017 when Musk handed out the first vehicles to employees. Tesla has been struggling with bottlenecks in production, and at one point had to revert to hand-building the cars.

Model 3 production problems first came to light in early October 2017 when Tesla reported it had produced just 260 of its new electric cars in the third quarter and delivered only 220.

Musk, who has repeatedly referred to the Model 3 as “production hell,” has ramped up efforts in recent months in hopes of proving the company can become a high-volume producer of electric vehicles. Musk recently directed the company to erect a giant tent structure at its Fremont, California factory to house another assembly line for the Model 3.

Tesla typically reports production and delivery numbers several days after the end of a quarter. The second quarter ended June 30.

The company still has a lot to prove to customers and shareholders, including showing it can consistently hit the 5,000-per-week number and produce cars without fit and finish issues, a problem that has been noted by new owners.

Tesla recently opened up Model 3 orders to all reservation holders in the U.S. and Canada. The reservation holders, which number in the tens if thousands, were able as of Thursday to long onto the Tesla website and complete their order in the company’s online design studio. For now, reservation holders have three versions of the Model 3 to choose from: long-range 310-mile rear-wheel drive, long-range dual motor all-wheel drive or the performance variant. Delivery estimates will be shown to customers as they make their selection and will depend upon their order date and the vehicle configuration selected.

The elusive standard battery $35,000 variant is not yet an option for customers.



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It's one of the most enticing round of 16 fixtures at the 2018 FIFA World Cup in Russia, as Brazil and Mexico face off in an all-Latin A...

It's one of the most enticing round of 16 fixtures at the 2018 FIFA World Cup in Russia, as Brazil and Mexico face off in an all-Latin American duel for a place in the quarter-finals – and you're in the right place if you need to know how to watch the action with a free live stream.

Brazil may have entered the competition as many people's favorites, but Switzerland, Costa Rica and Serbia didn't make life easy for the Samba Boys in group E even if they did ultimately top the standings. Despite the abundance of firepower for Brazil going forward, Neymar and co haven't yet hit the heights which could mean a first start for Liverpool's Firmino if Tite fancies shuffling his pack. 

Mexico will be desperate to pull off an upset by any means necessary to exorcise the 'curse of the fifth game', which has seen El Tri go out after four matches in every one of the last six World Cups. But will we see the Mexico that looked so impressive against Germany and South Korea, or the side that surrendered tamely to Sweden?

Find out by following one of the free live stream options below and watching Brazil vs Mexico live, wherever you are in the world. And don't forget, we've got all the live stream info covered across the tournament in our World Cup watching guide

Use a VPN to watch the World Cup 2018 from anywhere for FREE

You don't have to miss a single minute of World Cup soccer - even if the country where you are isn't broadcasting certain games. Because every second of action is being shown somewhere (the UK, for example, is televising every game for free - see below), you can simply use a VPN to login to a region that is broadcasting the game. And it's really easy to do:

How to stream Brazil vs Mexico live in the UK 

How to watch Mexico vs Brazil: US live stream 

How to watch Brazil vs Mexico: Canada live stream 

How to watch Brazil vs Mexico: Australia live stream 

How to watch Mexico vs Brazil: New Zealand live stream 

Exclusive World Cup competition with VyprVPN



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A mysteriously dropped manuscript and the never-ending hunt for bitcoin's inventor. from Wired https://ift.tt/2Nf5g0D https://ift.tt/...

A mysteriously dropped manuscript and the never-ending hunt for bitcoin's inventor.

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If you’re a UX designer you won’t need this article to tell you about dark pattern design. But perhaps you chose to tap here out of a desire...

If you’re a UX designer you won’t need this article to tell you about dark pattern design. But perhaps you chose to tap here out of a desire to reaffirm what you already know — to feel good about your professional expertise.

Or was it that your conscience pricked you? Go on, you can be honest… or, well, can you?

A third possibility: Perhaps an app you were using presented this article in a way that persuaded you to tap on it rather than on some other piece of digital content. And it’s those sorts of little imperceptible nudges — what to notice, where to tap/click — that we’re talking about when we talk about dark pattern design.

But not just that. The darkness comes into play because UX design choices are being selected to be intentionally deceptive. To nudge the user to give up more than they realize. Or to agree to things they probably wouldn’t if they genuinely understood the decisions they were being pushed to make.

To put it plainly, dark pattern design is deception and dishonesty by design… Still sitting comfortably?

The technique, as it’s deployed online today, often feeds off and exploits the fact that content-overloaded consumers skim-read stuff they’re presented with, especially if it looks dull and they’re in the midst of trying to do something else — like sign up to a service, complete a purchase, get to something they actually want to look at, or find out what their friends have sent them.

Manipulative timing is a key element of dark pattern design. In other words when you see a notification can determine how you respond to it. Or if you even notice it. Interruptions generally pile on the cognitive overload — and deceptive design deploys them to make it harder for a web user to be fully in control of their faculties during a key moment of decision.

Dark patterns used to obtain consent to collect users’ personal data often combine unwelcome interruption with a built in escape route — offering an easy way to get rid of the dull looking menu getting in the way of what you’re actually trying to do.

Brightly colored ‘agree and continue’ buttons are a recurring feature of this flavor of dark pattern design. These eye-catching signposts appear near universally across consent flows — to encourage users not to read or contemplate a service’s terms and conditions, and therefore not to understand what they’re agreeing to.

It’s ‘consent’ by the spotlit backdoor.

This works because humans are lazy in the face of boring and/or complex looking stuff. And because too much information easily overwhelms. Most people will take the path of least resistance. Especially if it’s being reassuringly plated up for them in handy, push-button form.

At the same time dark pattern design will ensure the opt out — if there is one — will be near invisible; Greyscale text on a grey background is the usual choice.

Some deceptive designs even include a call to action displayed on the colorful button they do want you to press — with text that says something like ‘Okay, looks great!’ — to further push a decision.

Likewise, the less visible opt out option might use a negative suggestion to imply you’re going to miss out on something or are risking bad stuff happening by clicking here.

The horrible truth is that deceptive designs can be awfully easy to paint.

Where T&Cs are concerned, it really is shooting fish in a barrel. Because humans hate being bored or confused and there are countless ways to make decisions look off-puttingly boring or complex — be it presenting reams of impenetrable legalese in tiny greyscale lettering so no-one will bother reading it combined with defaults set to opt in when people click ‘ok’; deploying intentionally confusing phrasing and/or confusing button/toggle design that makes it impossible for the user to be sure what’s on and what’s off (and thus what’s opt out and what’s an opt in) or even whether opting out might actually mean opting into something you really don’t want…

Friction is another key tool of this dark art: For example designs that require lots more clicks/taps and interactions if you want to opt out. Such as toggles for every single data share transaction — potentially running to hundreds of individual controls a user has to tap on vs just a few taps or even a single button to agree to everything. The weighing is intentionally all one way. And it’s not in the consumer’s favor.

Deceptive designs can also make it appear that opting out is not even possible. Such as default opting users in to sharing their data and, if they try to find a way to opt out, requiring they locate a hard-to-spot alternative click — and then also requiring they scroll to the bottom of lengthy T&Cs to unearth a buried toggle where they can in fact opt out.

Facebook used that technique to carry out a major data heist by linking WhatsApp users’ accounts with Facebook accounts in 2016. Despite prior claims that such a privacy u-turn could never happen. The vast majority of WhatsApp users likely never realized they could say no — let alone understood the privacy implications of consenting to their accounts being linked.

Ecommerce sites also sometimes suggestively present an optional (priced) add-on in a way that makes it appear like an obligatory part of the transaction. Such as using a brightly colored ‘continue’ button during a flight check out process but which also automatically bundles an optional extra like insurance, instead of plainly asking people if they want to buy it.

Or using pre-selected checkboxes to sneak low cost items or a small charity donation into a basket when a user is busy going through the check out flow — meaning many customers won’t notice it until after the purchase has been made.

Airlines have also been caught using deceptive design to upsell pricier options, such as by obscuring cheaper flights and/or masking prices so it’s harder to figure out what the most cost effective choice actually is.

Dark patterns to thwart attempts to unsubscribe are horribly, horribly common in email marketing. Such as an unsubscribe UX that requires you to click a ridiculous number of times and keep reaffirming that yes, you really do want out.

Often these additional screens are deceptively designed to resembled the ‘unsubscribe successful’ screens that people expect to see when they’ve pulled the marketing hooks out. But if you look very closely, at the typically very tiny lettering, you’ll see they’re actually still asking if you want to unsubscribe. The trick is to get you not to unsubscribe by making you think you already have. 

Another oft-used deceptive design that aims to manipulate online consent flows works against users by presenting a few selectively biased examples — which gives the illusion of helpful context around a decision. But actually this is a turbocharged attempt to manipulate the user by presenting a self-servingly skewed view that is in no way a full and balanced picture of the consequences of consent.

At best it’s disingenuous. More plainly it’s deceptive and dishonest.

Here’s just one example of selectively biased examples presented during a Facebook consent flow used to encourage European users to switch on its face recognition technology. Clicking ‘continue’ leads the user to the decision screen — but only after they’ve been shown this biased interstitial…

Facebook is also using emotional manipulation here, in the wording of its selective examples, by playing on people’s fears (claiming its tech will “help protect you from a stranger”) and playing on people’s sense of goodwill (claiming your consent will be helpful to people with visual impairment) — to try to squeeze agreement by making people feel fear or guilt.

You wouldn’t like this kind of emotionally manipulative behavior if a human was doing it to you. But Facebook frequently tries to manipulate its users’ feelings to get them to behave how it wants.

For instance to push users to post more content — such as by generating an artificial slideshow of “memories” from your profile and a friend’s profile, and then suggesting you share this unasked for content on your timeline (pushing you to do so because, well, what’s your friend going to think if you choose not to share it?). Of course this serves its business interests because more content posted to Facebook generates more engagement and thus more ad views.

Or — in a last ditch attempt to prevent a person from deleting their account — Facebook has been known to use the names and photos of their Facebook friends to claim such and such a person will “miss you” if you leave the service. So it’s suddenly conflating leaving Facebook with abandoning your friends.

Distraction is another deceptive design technique deployed to sneak more from the user than they realize. For example cutesy looking cartoons that are served up to make you feel warn and fluffy about a brand — such as when they’re periodically asking you to review your privacy settings.

Again, Facebook uses this technique. The cartoony look and feel around its privacy review process is designed to make you feel reassured about giving the company more of your data.

You could even argue that Google’s entire brand is a dark pattern design: Childishly colored and sounding, it suggests something safe and fun. Playful even. The feelings it generates — and thus the work it’s doing — bear no relation to the business the company is actually in: Surveillance and people tracking to persuade you to buy things.

Another example of dark pattern design: Notifications that pop up just as you’re contemplating purchasing a flight or hotel room, say, or looking at a pair of shoes — which urge you to “hurry!” as there’s only X number of seats or pairs left.

This plays on people’s FOMO, trying to rush a transaction by making a potential customer feel like they don’t have time to think about it or do more research — and thus thwart the more rational and informed decision they might otherwise have made.

The kicker is there’s no way to know if there really was just two seats left at that price. Much like the ghost cars Uber was caught displaying in its app — which it claimed were for illustrative purposes, rather than being exactly accurate depictions of cars available to hail — web users are left having to trust what they’re being told is genuinely true.

But why should you trust companies that are intentionally trying to mislead you?

Dark patterns point to an ethical vacuum

The phrase dark pattern design is pretty antique in Internet terms, though you’ll likely have heard it being bandied around quite a bit of late. Wikipedia credits UX designer Harry Brignull with the coinage, back in 2010, when he registered a website (darkpatterns.org) to chronicle and call out the practice as unethical.

“Dark patterns tend to perform very well in A/B and multivariate tests simply because a design that tricks users into doing something is likely to achieve more conversions than one that allows users to make an informed decision,” wrote Brignull in 2011 — highlighting exactly why web designers were skewing towards being so tricksy: Superficially it works. The anger and mistrust come later.

Close to a decade later, Brignull’s website is still valiantly calling out deceptive design. So perhaps he should rename this page ‘the hall of eternal shame’. (And yes, before you point it out, you can indeed find brands owned by TechCrunch’s parent entity Oath among those being called out for dark pattern design… It’s fair to say that dark pattern consent flows are shamefully widespread among media entities, many of which aim to monetize free content with data-thirsty ad targeting.)

Of course the underlying concept of deceptive design has roots that run right through human history. See, for example, the original Trojan horse. (A sort of ‘reverse’ dark pattern design — given the Greeks built an intentionally eye-catching spectacle to pique the Trojan’s curiosity, getting them to lower their guard and take it into the walled city, allowing the fatal trap to be sprung.)

Basically, the more tools that humans have built, the more possibilities they’ve found for pulling the wool over other people’s eyes. The Internet just kind of supercharges the practice and amplifies the associated ethical concerns because deception can be carried out remotely and at vast, vast scale. Here the people lying to you don’t even have to risk a twinge of personal guilt because they don’t have to look into your eyes while they’re doing it.

Nowadays falling foul of dark pattern design most often means you’ll have unwittingly agreed to your personal data being harvested and shared with a very large number of data brokers who profit from background trading people’s information — without making it clear they’re doing so nor what exactly they’re doing to turn your data into their gold. So, yes, you are paying for free consumer services with your privacy.

Another aspect of dark pattern design has been bent towards encouraging Internet users to form addictive habits attached to apps and services. Often these kind of addiction forming dark patterns are less visually obvious on a screen — unless you start counting the number of notifications you’re being plied with, or the emotional blackmail triggers you’re feeling to send a message for a ‘friendversary’, or not miss your turn in a ‘streak game’.

This is the Nir Eyal ‘hooked’ school of product design. Which has actually run into a bit of a backlash of late, with big tech now competing — at least superficially — to offer so-called ‘digital well-being’ tools to let users unhook. Yet these are tools the platforms are still very much in control of. So there’s no chance you’re going to be encouraged to abandon their service altogether.

Dark pattern design can also cost you money directly. For example if you get tricked into signing up for or continuing a subscription you didn’t really want. Though such blatantly egregious subscription deceptions are harder to get away with. Because consumers soon notice they’re getting stung for $50 a month they never intended to spend.

That’s not to say ecommerce is clean of deceptive crimes now. The dark patterns have generally just got a bit more subtle. Pushing you to transact faster than you might otherwise, say, or upselling stuff you don’t really need.

Although consumers will usually realize they’ve been sold something they didn’t want or need eventually. Which is why deceptive design isn’t a sustainable business strategy, even setting aside ethical concerns.

In short, it’s short term thinking at the expense of reputation and brand loyalty. Especially as consumers now have plenty of online platforms where they can vent and denounce brands that have tricked them. So trick your customers at your peril.

That said, it takes longer for people to realize their privacy is being sold down the river. If they even realize at all. Which is why dark pattern design has become such a core enabling tool for the vast, non-consumer facing ad tech and data brokering industry that’s grown fat by quietly sucking on people’s data — thanks to the enabling grease of dark pattern design.

Think of it as a bloated vampire octopus wrapped invisibly around the consumer web, using its myriad tentacles and suckers to continuously manipulate decisions and close down user agency in order to keep data flowing — with all the A/B testing techniques and gamification tools it needs to win.

“It’s become substantially worse,” agrees Brignull, discussing the practice he began critically chronicling almost a decade ago. “Tech companies are constantly in the international news for unethical behavior. This wasn’t the case 5-6 years ago. Their use of dark patterns is the tip of the iceberg. Unethical UI is a tiny thing compared to unethical business strategy.”

“UX design can be described as the way a business chooses to behave towards its customers,” he adds, saying that deceptive web design is therefore merely symptomatic of a deeper Internet malaise.

He argues the underlying issue is really about “ethical behavior in US society in general”.

The deceitful obfuscation of commercial intention certainly runs all the way through the data brokering and ad tech industries that sit behind much of the ‘free’ consumer Internet. Here consumers have plainly been kept in the dark so they cannot see and object to how their personal information is being handed around, sliced and diced, and used to try to manipulate them.

From an ad tech perspective, the concern is that manipulation doesn’t work when it’s obvious. And the goal of targeted advertising is to manipulate people’s decisions based on intelligence about them gleaned via clandestine surveillance of their online activity (so inferring who they are via their data). This might be a purchase decision. Equally it might be a vote.

The stakes have been raised considerably now that data mining and behavioral profiling are being used at scale to try to influence democratic processes.

So it’s not surprising that Facebook is so coy about explaining why a certain user on its platform is seeing a specific advert. Because if the huge surveillance operation underpinning the algorithmic decision to serve a particular ad was made clear, the person seeing it might feel manipulated. And then they would probably be less inclined to look favorably upon the brand they were being urged to buy. Or the political opinion they were being pushed to form. And Facebook’s ad tech business stands to suffer.

The dark pattern design that’s trying to nudge you to hand over your personal information is, as Birgnull says, just the tip of a vast and shadowy industry that trades on deception and manipulation by design — because it relies on the lie that people don’t care about their privacy.

But people clearly do care about privacy. Just look at the lengths to which ad tech entities go to obfuscate and deceive consumers about how their data is being collected and used. If people don’t mind companies spying on them, why not just tell them plainly it’s happening?

And if people were really cool about sharing their personal and private information with anyone, and totally fine about being tracked everywhere they go and having a record kept of all the people they know and have relationships with, why would the ad tech industry need to spy on them in the first place? They could just ask up front for all your passwords.

The deception enabled by dark pattern design not only erodes privacy but has the chilling effect of putting web users under pervasive, clandestine surveillance, it also risks enabling damaging discrimination at scale. Because non-transparent decisions made off of the back of inferences gleaned from data taken without people’s consent can mean that — for example — only certain types of people are shown certain types of offers and prices, while others are not.

Facebook was forced to make changes to its ad platform after it was shown that an ad-targeting category it lets advertisers target ads against, called ‘ethnic affinity’ — aka Facebook users whose online activity indicates an interest in “content relating to particular ethnic communities” — could be used to run housing and employment ads that discriminate against protected groups.

More recently the major political ad scandals relating to Kremlin-backed disinformation campaigns targeting the US and other countries via Facebook’s platform, and the massive Facebook user data heist involving the controversial political consultancy Cambridge Analytica deploying quiz apps to improperly suck out people’s data in order to build psychographic profiles for political ad targeting, has shone a spotlight on the risks that flow from platforms that operate by systematically keeping their users in the dark.

As a result of these scandals, Facebook has started offering a level of disclosure around who is paying for and running some of the ads on its platform. But plenty of aspects of its platform and operations remain shrouded. Even those components that are being opened up a bit are still obscured from view of the majority of users — thanks to the company’s continued use of dark patterns to manipulate people into acceptance without actual understanding.

And yet while dark pattern design has been the slickly successful oil in the engines of the ad tech industry for years, allowing it to get away with so much consent-less background data processing, gradually, gradually some of the shadier practices of this sector are being illuminated and shut down — including as a consequence of shoddy security practices, with so many companies involved in the trading and mining of people’s data. There are just more opportunities for data to leak. 

Laws around privacy are also being tightened. And changes to EU data protection rules are a key reason why dark pattern design has bubbled back up into online conversations lately. The practice is under far greater legal threat now as GDPR tightens the rules around consent.

This week a study by the Norwegian Consumer Council criticized Facebook and Google for systematically deploying design choices that nudge people towards making decisions which negatively affect their own privacy — such as data sharing defaults, and friction injected into the process of opting out so that fewer people will.

Another manipulative design decision flagged by the report is especially illustrative of the deceptive levels to which companies will stoop to get users to do what they want — with the watchdog pointing out how Facebook paints fake red dots onto its UI in the midst of consent decision flows in order to encourage the user to think they have a message or a notification. Thereby rushing people to agree without reading any small print.

Fair and ethical design is design that requires people to opt in affirmatively to any actions that benefit the commercial service at the expense of the user’s interests. Yet all too often it’s the other way around: Web users have to go through sweating toil and effort to try to safeguard their information or avoid being stung for something they don’t want.

You might think the types of personal data that Facebook harvests are trivial — and so wonder what’s the big deal if the company is using deceptive design to obtain people’s consent? But the purposes to which people’s information can be put are not at all trivial — as the Cambridge Analytica scandal illustrates.

One of Facebook’s recent data grabs in Europe also underlines how it’s using dark patterns on its platform to attempt to normalize increasingly privacy hostile technologies.

Earlier this year it began asking Europeans for consent to processing their selfies for facial recognition purposes — a highly controversial technology that regulatory intervention in the region had previously blocked. Yet now, as a consequence of Facebook’s confidence in crafting manipulative consent flows, it’s essentially figured out a way to circumvent EU citizens’ fundamental rights — by socially engineering Europeans to override their own best interests.

Nor is this type of manipulation exclusively meted out to certain, more tightly regulated geographies; Facebook is treating all its users like this. European users just received its latest set of dark pattern designs first, ahead of a global rollout, thanks to the bloc’s new data protection regulation coming into force on May 25.

CEO Mark Zuckerberg even went so far as to gloat about the success of this deceptive modus operandi on stage at a European conference in May — claiming the “vast majority” of users were “willingly” opting in to targeted advertising via its new consent flow.

In truth the consent flow is manipulative, and Facebook does not even offer an absolute opt out of targeted advertising on its platform. The ‘choice’ it gives users is to agree to its targeted advertising or to delete their account and leave the service entirely. Which isn’t really a choice when balanced against the power of Facebook’s platform and the network effect it exploits to keep people using its service.

Forced consent‘ is an early target for privacy campaign groups making use of GDPR opening the door, in certain EU member states, to collective enforcement of individuals’ data rights.

Of course if you read Facebook or Google’s PR around privacy they claim to care immensely — saying they give people all the controls they need to manage and control access to their information. But controls with dishonest instructions on how to use them aren’t really controls at all. And opt outs that don’t exist smell rather more like a lock in. 

Platforms certainly remain firmly in the driving seat because — until a court tells them otherwise — they control not just the buttons and levers but the positions, sizes, colors, and ultimately the presence or otherwise of the buttons and levers.

And because these big tech ad giants have grown so dominant as services they are able to wield huge power over their users — even tracking non-users over large swathes of the rest of the Internet, and giving them even fewer controls than the people who are de facto locked in, even if, technically speaking, service users might be able to delete an account or abandon a staple of the consumer web. 

Big tech platforms can also leverage their size to analyze user behavior at vast scale and A/B test the dark pattern designs that trick people the best. So the notion that users have been willingly agreeing en masse to give up their privacy remains the big lie squatting atop the consumer Internet.

People are merely choosing the choice that’s being pre-selected for them.

That’s where things stand as is. But the future is looking increasingly murky for dark pattern design.

Change is in the air.

What’s changed is there are attempts to legally challenge digital disingenuousness, especially around privacy and consent. This after multiple scandals have highlighted some very shady practices being enabled by consent-less data-mining — making both the risks and the erosion of users’ rights clear.

Europe’s GDPR has tightened requirements around consent — and is creating the possibility of redress via penalties worth the enforcement. It has already caused some data-dealing businesses to pull the plug entirely or exit Europe.

New laws with teeth make legal challenges viable, which was simply not the case before. Though major industry-wide change will take time, as it will require waiting for judges and courts to rule.

“It’s a very good thing,” says Brignull of GDPR. Though he’s not yet ready to call it the death blow that deceptive design really needs, cautioning: “We’ll have to wait to see whether the bite is as strong as the bark.”

In the meanwhile, every data protection scandal ramps up public awareness about how privacy is being manhandled and abused, and the risks that flow from that — both to individuals (e.g. identity fraud) and to societies as a whole (be it election interference or more broadly attempts to foment harmful social division).

So while dark pattern design is essentially ubiquitous with the consumer web of today, the deceptive practices it has been used to shield and enable are on borrowed time. The direction of travel — and the direction of innovation — is pro-privacy, pro-user control and therefore anti-deceptive-design. Even if the most embedded practitioners are far too vested to abandon their dark arts without a fight.

What, then, does the future look like? What is ‘light pattern design’? The way forward — at least where privacy and consent are concerned — must be user centric. This means genuinely asking for permission — using honesty to win trust by enabling rather than disabling user agency.

Designs must champion usability and clarity, presenting a genuine, good faith choice. Which means no privacy-hostile defaults: So opt ins, not opt outs, and consent that is freely given because it’s based on genuine information not self-serving deception, and because it can also always be revoked at will.

Design must also be empathetic. It must understand and be sensitive to diversity — offering clear options without being intentionally overwhelming. The goal is to close the perception gap between what’s being offered and what the customer thinks they’re getting.

Those who want to see a shift towards light patterns and plain dealing also point out that online transactions honestly achieved will be happier and healthier for all concerned — because they will reflect what people actually want. So rather than grabbing short term gains deceptively, companies will be laying the groundwork for brand loyalty and organic and sustainable growth.

The alternative to the light pattern path is also clear: Rising mistrust, rising anger, more scandals, and — ultimately — consumers abandoning brands and services that creep them out and make them feel used. Because no one likes feeling exploited. And even if people don’t delete an account entirely they will likely modify how they interact, sharing less, being less trusting, less engaged, seeking out alternatives that they do feel good about using.

Also inevitable if the mass deception continues: More regulation. If businesses don’t behave ethically on their own, laws will be drawn up to force change.

Because sure, you can trick people for a while. But it’s not a sustainable strategy. Just look at the political pressure now being piled on Zuckerberg by US and EU lawmakers. Deception is the long game that almost always fails in the end.

The way forward must be a new ethical deal for consumer web services — moving away from business models that monetize free access via deceptive data grabs.

This means trusting your users to put their faith in you because your business provides an innovative and honest service that people care about.

It also means rearchitecting systems to bake in privacy by design. Blockchain-based micro-payments may offer one way of opening up usage-based revenue streams that can offer an alternative or supplement to ads.

Where ad tech is concerned, there are also some interesting projects being worked on — such as the blockchain-based Brave browser which is aiming to build an ad targeting system that does local, on-device targeting (only needing to know the user’s language and a broad-brush regional location), rather than the current, cloud-based ad exchange model that’s built atop mass surveillance.

Technologists are often proud of their engineering ingenuity. But if all goes to plan, they’ll have lots more opportunities to crow about what they’ve built in future — because they won’t be too embarrassed to talk about it.



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Jason Rowley Contributor Jason Rowley is a venture capital and technology reporter for Crunchbase News . More posts by this contributo...

On Tuesday, news broke that Sequoia Capital has closed $6 billion out of what could end up being an $8 billion growth-stage fund with global scope. Crunchbase News covered that particular financing, but also found that Sequoia Capital is potentially raising billions more across funds focused on China, the U.S. and India, according to press reports and regulatory filings we examined.

Apart from the sheer size of its third “Global Growth” investment vehicle, there isn’t anything surprising about an old stalwart like Sequoia raising a big-dollar fund. But the fact that it’s unsurprising points to an important trend in venture capital fundraising. And it’s that trend we’ll explore today.

New money versus old money

Here’s what we found: Older firms raise bigger funds, and appear to account for a majority of capital raised by U.S. venture firms.

According to the NVCA’s 2018 yearbook (PDF), first-time VC fund managers raised $3.4 billion across 36 new funds in 2017, record dollar volume since at least 2004. Also from the yearbook: 2017 set a record for the number of active VC investors, which hit all-time highs. (This being said, the number of “first round” investors has declined precipitously from prior maxima.)

The chart below shows what the explosion of new firms (and their funds) looks like over time, this time using funds data from Crunchbase. (And to learn a bit more about which numbers we’re using, check out the end of this article.)

From 2014 through the first half of 2018, the number of funds raised by venture firms founded before 2007 averaged about 30 percent of new funds raised during that time.

This being said, as the chart below shows, older, “establishment” firms have raised the majority of LP dollars over the past decade.

Although it isn’t pictured in the chart above, here are some other statistics to take away. Of all the money raised by firms in our data set between 2007 and the first half of 2018, 50 percent of that was raised by firms founded in 1999 or earlier.

A full third of the total capital was raised by firms founded before 1990. Many of the oldest firms — like New Enterprise Associates (founded in 1977), Accel (founded in 1983), IVP (founded in 1980) and Sequoia Capital (founded 1972) — raise a non-trivial chunk of the capital.

Why does this happen? Even though pre-2007 firms make up less of the total count of funds raised, they maintain dollar-raising dominance by raising bigger funds. And over the past decade, the size of those funds has gone up pretty significantly, as the chart below shows.

As an aside, the surges in average fund size for firms founded between 2007 and 2009 coincide with when Andreessen Horowitz raises new “Parallel” funds, which have weighed in at $1.5 billion apiece for the past three funds.

Part of the H1 2018 spike is no doubt attributable, at least in part, to Sequoia Capital’s Global Growth fund, but many other established venture firms raised big funds this year:

Based on SEC filings we’ve spotted and reported on, there’s a strong reason to believe that firms like SOSV, DCM VenturesFoundry Group and others are collectively raising billions in dry powder that may come online within the next year or two. In other words, these old guard firms are likely to remain entrenched and push average fund size higher over time.

Bigger funds and bloated expectations

We’ve looked at inflating fund sizes, and the growing rounds they invest in, in the past. We’ve alluded to how these metrics reflect high and growing expectations for startups and their investors, but never quite explained why that was the case.

The average venture fund operates on a 10-year investment cycle, sometimes with an optional one- to two-year extension period. As entrepreneur Tomer Dean explained in an article for TechCrunch, to outperform the comparatively “safe” public stock market (which in the U.S. appreciates by roughly seven percent per year, on average), a VC firm should aim to return at least three times the capital initially invested in a fund. Over 10 years, that’s roughly a 12 percent rate of return.

This week, unpacking AT&T’s acquisition of AppNexus, venture investor Semil Shah wrote about the deal and potential economic challenges that even a “good” exit like AppNexus’s presents to modern venture funds. To paraphrase, if a venture capital firm owns 16 percent of a company that exits for $2 billion, it gets $320 million from the exit. Shah recounts a meeting with a seed VC, who told Shah that every investment in their firm has “a ‘RTF Magic Number,’ whereby each deal would be assigned a target exit value at which the fund would be made ‘whole’ in that sale — the idea is that you want every potential $B+ outcome to return the fund.” To, say, a fund that started with $150 million, a $320 million payout is great. For a $500 million fund, it’s kind of disappointing.

As funds get larger, so does the Return-The-Fund Magic Number, all things being equal. To compensate, investors commit proportionately more capital. And at least in some areas of the startup market — most conspicuously, in scooter startups — valuations have grown accordingly.

But if a venture investor needs to find deals that will return their fund not once, but three times, an already tall order gets taller over time.

Methodology

The NVCA data we cited is provided to the NVCA by PitchBook.

For our charts, we used a slightly cleaned-up version of Crunchbase’s funds data, which we enriched and subdivided by the founding date of the U.S.-based “venture capital” and “micro VC” firms which raised those funds.

Crunchbase’s funds data is collected automatically via news stories and regulatory filings, and via data contributions from venture firms and Crunchbase users. As with any data set, it’s subject to gaps and inconsistencies.



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This Russia 2018 round of 16 game sees the tournament's emerging dark horse Croatia take on Denmark. It may not be the most grandstandin...

This Russia 2018 round of 16 game sees the tournament's emerging dark horse Croatia take on Denmark. It may not be the most grandstanding FIFA World Cup fixture of the last 16, but the well-organised Danes will be looking to upset the much-fancied Croatia team.

Denmark cruised past Peru but drew with Australia and France, meaning that they crept rather than flew through the group stages. Croatia, on the other hand saw great performances from the likes of Luca Modric and Ivan Rakitic which meant Nigeria and Argentina were easily bested before the making it three wins from three against plucky Iceland.

The midfield will be where the action happens in this match with Real Madrid's Luca Modric and Barcelona's Rakitic taking on the likes of Tottenham Hotspur's Christian Eriksen.

You can live stream the Croatia vs Denmark World Cup 2018 match for free using our tips below, and every other match with our handy World Cup viewing guide. Or read on to see you options for this game where you are.

Use a VPN to watch the World Cup 2018 from anywhere for FREE

You don't have to miss a single minute of World Cup soccer - even if the country where you are isn't broadcasting certain games. Because every second of action is being shown somewhere (the UK, for example, is televising every game for free - see below), you can simply use a VPN to login to a region that is broadcasting the game. And it's really easy to do:

How to stream Croatia vs Denmark live in the UK 

How to watch Croatia vs Denmark: Australia live stream 

How to watch Denmark vs Croatia: US live stream 

How to watch Croatia vs Denmark: Canada live stream 

How to watch Denmark vs Croatia: New Zealand live stream 

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Having pinched the idea from Snapchat , Instagram has been pushing its temporary Stories feature as a way of sharing parts of your day that ...

Having pinched the idea from Snapchat, Instagram has been pushing its temporary Stories feature as a way of sharing parts of your day that aren't suitable for a fully filtered permanent post. Now it seems like Stories are going to get even more prominent.

As spotted by The Verge, the app is now testing a fixed Stories pane at the top of the feed, which stays in place as you scroll. If your friends have posted something in the last 24 hours, then you're certainly going to know about it – tapping through to view the photos and videos is the only way to get relief.

At the moment the Stories bubbles appear at the top of the feed and then between certain posts lower down as you scroll, if you don't watch them straight away. The change would make the feature a fixed part of the interface.

Or maybe not

The new permanent Stories bar certainly isn't available to everyone yet and may not ever roll out. Instagram told The Verge that it tests tweaks to the app all the time, and these tests don't always make it out to all of Instagram's millions of users.

Still, it's evidence of just how important the new Stories format has become in the world of social media sharing. Having first found success on Snapchat, it's since been adopted by Instagram and Facebook as a less pressured way of letting friends know what you're up to – a temporary option that doesn't need quite so much curation.

No doubt something else will be along to replace the Stories format eventually, as surely as Facebook replaced MySpace. In the meantime, get ready to see more of the Stories posted by your friends and family, at least in Instagram.



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Opinion: Two Members of Congress argue that government websites must modernize to meet the needs of today's citizens. from Wired https...

Opinion: Two Members of Congress argue that government websites must modernize to meet the needs of today's citizens.

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Plus: VW climbs a mountain, robo-cars deliver groceries, and more from the molting world of transportation. from Wired https://ift.tt/2tK5...

Plus: VW climbs a mountain, robo-cars deliver groceries, and more from the molting world of transportation.

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The Supreme Court justice's announcement last week caused a lot of chatter on social media. from Wired https://ift.tt/2IGYSvv https:/...

The Supreme Court justice's announcement last week caused a lot of chatter on social media.

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Starz Original series, Power, is the best show 50 Cent has ever produced and is set to make its highly anticipated return this week exclusiv...

Starz Original series, Power, is the best show 50 Cent has ever produced and is set to make its highly anticipated return this week exclusively on STARZ PLAY Arabia. The show’s latest season will see its star-studded ensemble delve deeper into the seductive Manhattan nightlife of the elite, the violent underworld of organized crime and the equally ruthless world of law enforcement. 

Power snared in a large audience across Starz and its streaming app, STARZ PLAY, with its addictive plot lines and edge-of-the-seat suspense. The show follows family man, nightclub owner and drug kingpin, James “Ghost” St. Patrick (Omari Hardwick), torn up between trying to get legitimate while pursuing an old flame and dealing with the more nefarious side of his drug empire. 

Aiding Ghost is his brother-in-arms Tommy Egan (Joseph Sikora) and fierce wife, Tasha (Naturi Naughton). Ghost is on the verge of leaving his criminal life behind and starting anew with renewed old flame and federal prosecutor, Angela Valdez (Lela Loren) when a shady figure from his past, Kanan Stark (50 Cent) comes back into his world threatening to jeopardize everything Ghost has worked for. 

Power is all about who has the upper hand and the characters doing whatever it takes and putting everything on the line to get it. 

WARNING: Spoilers ahead

Season 4 saw Ghost in his “darkest hour” dealing with a tough legal fight brought on by his ex-lover and struggling to recalibrate his life after his acquittal. Things weren’t any better at home with Tasha struggling to keep her kids protected from the negative aftermath of Ghost’s arrest. 

She loses control over Tariq as he begins to question the integrity of his family and starts hanging out with Kanan whose dark influence leads Tariq to all kinds of unruly circumstances including a botched robbery and a murder. 

Law enforcement on Power is depicted a little differently than in other crime shows, they’re cunning, smart and in-step if not ahead of the criminals they’re trying to lock up. They also make mistakes and take the law into their own hands as they see fit.

Angela and her colleagues fail to convict Ghost but finally get to the bottom of Greg’s murder and put the Lobos case to rest once and for all. She gets a promotion for all her troubles much to her male colleagues’ chagrin who still want Ghost to pay for his crimes.

Our favorite hothead, Tommy, tries to take control over the drug business as the new Connect after Lobos meets an unsavory end. With help from Ghost he manages to work the drug network to his favor but things unravel quickly.

Dre has been quietly building his own empire in Ghosts’ absence and manipulates Tommy out of his tight hold over the drug network and partners up with the Jimenez family to become the sole distributor in the city. 

The season ends with the shocking death of Ghost’s daughter Raina by the hands of Dre’s old partner who Tariq later confronts and shoots. Ghost and Tommy go on a murderous rampage to seek retribution while Tasha turns to Angela for help. 

The final scenes see Ghost, Tommy and Kanan forming an offbeat alliance fueled by grief and revenge to bring down Dre and the Jimenz family. These boys have a long complicated history together. Trust levels are low and tensions are likely to reach dangerous levels. Whether they’ll be able to put the past behind for good and work together is something we’ll have to wait and see.

Ladies of Power have their own set of problems to deal with in season 5. Angela just got promoted and her implication in covering up the murder of Raina’s killer could have dire repercussions which could see her seeking an offbeat alliance of her own. Tasha will have her hands full as well between mourning her daughter’s death and doing whatever she can to protect Tariq from prosecution.

Fans could be in for some big shocks and major twists in the upcoming season. With all that went down in the final episodes of season 4, one thing’s clear: no one’s been safe on Power for a while now and another big death could be on the cards for season 5.

There’s been a remarkable jump in the overall quality, drama and intensity of the show every season and if this level of progression continues, Power might have its most thrilling and captivating season yet. 

Can Ghost rise up from the tragic death of his daughter and work with old foes to reclaim power or will he fall apart and unravel? 

Power returns on July 2 and will air exclusively on STARZ PLAY in the Middle East. Viewers in the region will be able to watch new episodes same day as the US. All previous seasons of the show are also available on the app, if you need a quick refresher or a compelling series to binge on.

Power’s season 3 had the second highest viewership behind Game of Thrones with each episode getting an average of 8 million viewers across the channel and app 



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As directors like Steven Soderbergh and Sean Baker have shown, you can conjure movie magic with an iPhone. from Wired https://ift.tt/2KlwK...

As directors like Steven Soderbergh and Sean Baker have shown, you can conjure movie magic with an iPhone.

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New results emerging from graph theory prove that the way a population is organized can guarantee the eventual triumph of natural selection—...

New results emerging from graph theory prove that the way a population is organized can guarantee the eventual triumph of natural selection—or permanently thwart it.

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Unlike popular self-reported salary sites like Glassdoor or Stack Overflow, Option Impact is reserved for elite users—VCs and the executives...

Unlike popular self-reported salary sites like Glassdoor or Stack Overflow, Option Impact is reserved for elite users—VCs and the executives at the startups they back.

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Round of 16 World Cup matches don't come much bigger than this. It's the hosts Russia, against former champions and one of the Russi...

Round of 16 World Cup matches don't come much bigger than this. It's the hosts Russia, against former champions and one of the Russia 2018 favorites Spain. Your chance to live stream the Spain vs Russia match for free has arrived and we'll tell you how to watch every minute of the hopefully-thrilling encounter regardless of where you are in the world.

Group B winners Spain will face Group A runners-up and host nation Russia. The Russian side - ranked the lowest from all the teams at the World Cup - have exceeded all expectations to get this far.

Spain also faced a challenge with a tough group following that incredible 3-3 draw against Portugal in the opening game and another draw against Morocco in the final clash. Russia smashed Saudi Arabia 5-0 and beat Egypt 3-1. So expect a high scoring game, potentially.

Don't miss out on any of the action by reading the World Cup watching guide which will help you not only get excited for the build up but catch every game no matter where you are.

Use a VPN to watch the World Cup 2018 from anywhere for FREE

You don't have to miss a single minute of World Cup soccer - even if the country where you are isn't broadcasting certain games. Because every second of action is being shown somewhere (the UK, for example, is televising every game for free - see below), you can simply use a VPN to login to a region that is broadcasting the game. And it's really easy to do:

How to stream Spain vs Russia live in the UK 

How to watch Spain vs Russia: US live stream 

How to watch Russia vs Spain: Canada live stream 

How to watch Spain vs Russia: Australia live stream 

How to watch Russia vs Spain: New Zealand live stream 

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1 billion. That’s how many people are likely to tune in to watch the Russia World Cup 2018 final. To make sure that every single one of thos...

1 billion. That’s how many people are likely to tune in to watch the Russia World Cup 2018 final. To make sure that every single one of those football fans get to see the match in the best possible way, a lot of preparation has been done.

Filming a football match is a complicated process, that takes hundreds of man hours before a ball is kicked. It also takes a huge amount of infrastructure investment - in total 300 broadcasters are showcasing live matches to 210 countries. 

In the months leading up to the World Cup, Fifa announced that this would be the first to have all 64 matches shot in Ultra HD, with HDR to boot. To do this, it was revealed that 37 cameras would cover every single match. 

A hybrid UHD/HDR/1080p setup is being used. In short, this means that, regardless of the picture quality chosen by broadcasters around the world, there is a feed they can take and use. 

Out of the 37 cameras shooting the action, eight are shooting in UHD/4K format (the main one with a wide lens to make things look a touch more cinematic), another eight are piping out 1080p/HDR and 1080p/SDR dual output.

Getting the shot

To make sure that even the fastest goal isn’t missed, a further eight cameras are there purely to capture footage to be shown in super slow motion and then there are two ultra-motion cameras. These are usually cameras used for things like Hawk-Eye - where the game is shot at a really high frame rate (usually in the thousands) then it can be slowed down for research purposes. 

These cameras are key for things like VAR (video assisted referee) technology and have already been used to make sure the right refereeing decisions are made when controversial moments arise in a game.

Another two cameras are the Cinefex helicam and a cable cam. Oh, and there are two reverse corner cameras and one tunnel camera to round things off.

If that wasn’t enough, there’s another camera that will be filming the match in 360 degrees. This is for those who want to watch a bit of football in virtual reality

In total, there are 370 Sony cameras in use, 29 XVS switchers (also made by Sony) and a 1000 plus monitors used to deliver the feeds. 

All of this is done by a company called Host Broadcast Services (HBS), who have been doing the job of showcasing the World Cup since the 2002 tournament in Korea/Japan.

Given the focus is very much on 4K this World Cup (there were trials of the format in Brazil 2014 but not much else), it’s a shame then that the world’s TV channels haven’t quite embraced the format as you would have expected. 

A lot of this does have to do with broadcasting rules in many countries that realise the importance of World Cup matches being accessible to as many people as possible, so it’s insisted that they are shown on free-to-air channels. 

These channels simply don’t have the investment - or the technology - needed to show the games in 4K. 

This doesn’t mean that you can’t watch 4K football. In the UK, the BBC has gotten round the fact that it doesn’t have a 4K channel (remember, it’s a broadcaster that still broadcasts local news in standard definition) by showing its games in 4K on the iPlayer, it’s fantastic IPTV platform. 

The stream is limited to certain TVs and set-top boxes and there is a limit to how many streams can be shown at once, but it’s an impressive demo of what’s to eventually come to its terrestrial channels.

In the US, where cable and subscription services rule the broadcast waves four providers are offering 4K: Layer3 TV, Dish Network (54 games in total), Comcast Xfinity X1 (4K games are available 24 hours after their live showing through VOD) and those with Hisense TVs and the Fox Sports App can also view 4K content.

Let’s hope by the Qatar World Cup 2022, 4K channels will be standard. Then again, we’ll all probably be wanting 8K - given 8K filming trials are currently taking place at the World Cup. 

Latin American broadcaster Globo has been running 8K feeds in Brazil and can be viewed at the Rio de Janeiro’s Museu de Amanhã - which translates aptly as the Museum of Tomorrow. 

(main image: Gokhan Balci/Anadolu Agency/Getty Images)

TechRadar's World Cup coverage is brought to you in association with Honor. 



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Etisalat today announced its new audio bill service targeted towards the visually impaired. The service which is available free of cost will...

Etisalat today announced its new audio bill service targeted towards the visually impaired. The service which is available free of cost will allow people of determination to listen to their bills every month through an automated voice call.

The call will take customers through their bill summary and details such as amount due, cost of calls, data, roaming and messages as well as VAT and other surcharges.

“It is Etisalat’s long-term commitment and responsibility to bring advanced technologies to the many communities that we serve in the UAE”, said Khaled Elkhouly, Chief Consumer Officer at Etisalat. “In line with the UAE’s vision to make the country disabled-friendly, we are proud to introduce this initiative to support people of determination. Initiatives such as ‘Talking Bill’ reveal how technology can help remove access barriers and empower visually-challenged people.”

Customers in the region can subscribe to the Talking Bill service at no charge by dialling 101 or visiting an Etisalat outlet. More details on this service at Etisalat's website



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Epic Games has managed to push Fortnite to mobile phones and the Nintendo Switch but it hasn't yet been able to roll out Playground Mo...

Epic Games has managed to push Fortnite to mobile phones and the Nintendo Switch but it hasn't yet been able to roll out Playground Mode. The practice mode for learning the Fortnite ropes has now officially been delayed until next week at least.

According to the Fortnite Twitter account, the LTM (Limited Time Mode) isn't yet ready for public consumption, though we don't really have any more details than that. The root of the problem seems to be the matchmaking system, which is why Playground Mode got pulled hours after launch earlier this week.

If you're not up to date with the latest game patch, Playground Mode is designed as an hour-long sandbox-style experience for gamers who want to take a bit more time experimenting before being shot to bits.

Keep your eyes on the rocket

Epic Games is promising further updates on Monday. In the meantime, Fortnite season 5 rolls ever closer, with an official launch scheduled for July 12. We would certainly hope Playground Mode is up and running by then.

In the meantime, gamers' appetites have been whetted with a special one-off event that happened on Saturday June 30. Those who were logged into Fortnite at the same got to see a spectacular rocket launch: after losing some kind of thruster over Anarchy Acres, the rocket eventually created a huge rift in the Fortnite sky.

Keep your eyes on that rift over the next couple of weeks... but what does it all mean? Maybe an alien invasion is imminent, or maybe it's a portal through to a different world (in honour of Westworld). We'll find out for sure in July.



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Virgin Mobile today announced the launch of their new in-app customer support chat service, designed to make it easier for customers to get ...

Virgin Mobile today announced the launch of their new in-app customer support chat service, designed to make it easier for customers to get the help they need.

You can get quick answers to common questions by simply tapping the chat option in the app to chat to a customer care member directly, thus skipping the need to make any phone calls.

Virgin Mobile has said that each customer support team member has also created their own unique bitmoji to represent themselves in the app, in order to make for a more personalized customer support experience.

Karim Benkirane, Managing Director, Virgin Mobile UAE, commented: “Everything we do at Virgin Mobile is designed to make our customers’ lives as simple as possible and allow them to manage everything from sign-up to customising their plans via our award-winning app. Launching our new in-app chat service was the next step in providing total control to our customers, allowing them to connect with us in an easy, fast and convenient way.”

New Virgin Mobile customers can chat by tapping on the question mark icon at the top right of the screen, while existing users can access the feature by tapping the ‘More’ section and selecting ‘Chat with us’.



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